![]() And still use the hell out of the parameter window for quantising, timing shifts, transposing etc of regions and notes. I had one external reverb and one multi fx, and one compressor! Then for mixing the whole thing ran through the mixing desk into my DAT machine. I would sequence MIDI synths, ROMplers and samplers with MIDi and record audio to tape. Amazingly, the latest version of Logic can still control Fostex reel to reel tape machines! This meant I had precise location and machine control of the tape machine which was controlled via MIDI and synced via time code with an Opcode studio 4 MIDI interface. The Fostex used a different format to everybody else. Logic could also talk directly to my Fostex R8 reel to reel which Vision couldn’t. It was fugly compared to my previous sequencer of choice, Vision, but the arrangement window with the non destructive parameter panel (which is still there today) were game changers for me and I never went back. I had the first version of Logic for Mac (which I think was about 1.1 or 1.2) when it was still called Notator Logic. Dunno what ever happened to those two though… Protools wasn’t even the second DAW on Mac and was released the year After Studio Vision and Digital Performer in 1991.īy 1993 both Logic Audio and Cubase Audio were also available for Mac. There was also Digital Performer which was launched very soon after Studio Vision (which was the world’s first MIDI+Audio sequencer). ![]() ![]() To start with it used digidesign hardware but quickly expanded to be able to use other third party interfaces. Click to expand.Opcode Studio Vision was released for Mac in 1990. ![]()
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